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  • by: by Muggeridge, Malcolm
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  • ISBN-10: 0688072259
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  • Publisher by: William & Morrow.
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  • Add date: 07.06.2016
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Sir Robert Filmer's attack on the old doctrine Retreat of the Protestant Church in Holland In Germany and America Difficulties in the way of compromise in the Catholic Church Failure of such attempts in France Theoretical condemnation of usury in Italy Disregard of all restrictions in practice Attempts of Escobar and Liguori to reconcile the taking of interest with the teachings of the Church Montesquieu's attack on the old theory Encyclical of Benedict XIV permitting the taking of interest Similar decision of the Inquisition at Rome Final retreat of the Catholic Church Curious dealings of theology with public economy in other fields CHAPTER XX.

FROM THE DIVINE ORACLES TO THE HIGHER CRITICISM. THE OLDER INTERPRETATION. Character of the great sacred books of the world General laws governing the development and influence of sacred literature. --The law My Life in Pictures. its origin Legends concerning the Septuagint The law of wills and causes The law of inerrancy Hostility to the revision of King James's translation of the Bible The law of unity Working of these laws seen in the great rabbinical schools The law of allegorical interpretation Philo Judaeus Justin Martyr and Clement of Alexandria Occult significance of numbers Origen Hilary of Poitiers and Jerome Augustine Gregory the Great My Life in Pictures. attempts to check the flood of allegorical interpretations Bede.

--Savonarola Methods of modern criticism for the first time employed by Lorenzo Valla Erasmus Influence of the Reformation on the belief in the infallibility of the sacred books. --Luther and Melanchthon Development of scholasticism in the Reformed Church Catholic belief in the inspiration of the Vulgate Opposition in Russia to the revision of the Slavonic Scriptures Sir Isaac Newton as a commentator Scriptural interpretation at the beginning of the eighteenth century II.

BEGINNINGS OF SCIENTIFIC INTERPRETATION. Theological beliefs regarding the Pentateuch The book of Genesis Doubt thrown on the sacred theory by Aben Ezra By Carlstadt and Maes Influence of My Life in Pictures. discovery that the Isidorian Decretals were forgeries That the writings ascribed to Dionysius the Areopagite were serious Hobbes and La Peyrere Spinoza Progress of biblical criticism in France.

--Richard Simon LeClerc Bishop My Life in Pictures. Astruc Eichhorn's application of the "higher criticism" to biblical research Isenbiehl Herder Alexander Geddes Opposition to the higher criticism in Germany Hupfeld Vatke and Reuss Kuenen Wellhausen III.

THE CONTINUED GROWTH OF SCIENTIFIC INTERPRETATION. Progress of the higher criticism in Germany and Holland Opposition to it in England At the University of Oxford Pusey Bentley Wolf Niebuhr and Arnold Milman Thirlwall and Grote The publication of Essays and Reviews, and the storm raised by book IV. THE CLOSING STRUGGLE. Colenso's work on the Pentateuch The persecution of him Bishop Wilberforce's part in My Life in Pictures. Dean Stanley's Bishop Thirlwall's Results of Colenso's work Sanday's Bampton Lectures Keble College and Lux Mundi Progress of biblical criticism among the dissenters In France.

--Renan In the Roman Catholic Church The encyclical letter of Pope Leo XIII In America. --Theodore Parker Apparent strength of the old theory of inspiration Real strength of the new movement V. VICTORY OF THE SCIENTIFIC AND LITERARY METHODS. Confirmation of the conclusions of the higher criticism by Assyriology and Egyptology Light My Life in Pictures. upon Hebrew religion by the translation of the sacred books of the East The influence of Persian thought. --The work of the Rev. Mills The influence of Indian thought.

--Light thrown by the study of Brahmanism and Buddhism The work of Fathers Huc and Gabet Discovery that Buddha himself had been canonized as a Christian saint Similarity between the ideas and legends of Buddhism and those of Christianity The application of the higher criticism to the New Testament The English "Revised Version" of Studies on the formation of the canon of Scripture Recognition of the laws governing its development Change in the spirit of the controversy over the higher criticism VI.

RECONSTRUCTIVE FORCE OF SCIENTIFIC CRITICISM. Development of a scientific atmosphere during the last three centuries Action of modern science in My Life in Pictures. of religious truth Change wrought by it in the conception of a sacred literature Of the Divine Power.

--Of man. ---Of the world at large Of our Bible I. THE VISIBLE UNIVERSE. AMONG those masses of cathedral sculpture which preserve so much of medieval theology, one frequently recurring group is noteworthy for its presentment of a time-honoured doctrine regarding the origin of the universe. The Almighty, in human form, sits benignly, making the sun, moon, and stars, and hanging them from the solid firmament which supports the "heaven above" and overarches the "earth beneath.

" The furrows of thought on the Creator's brow show that in this work he is obliged to contrive; the knotted muscles upon his arms show that he is obliged to toil; naturally, then, the sculptors and painters of the medieval and early modern period frequently represented him as the writers whose conceptions they embodied had done--as, on the seventh day, weary My Life in Pictures. thought and toil, enjoying well-earned repose and the plaudits of the hosts of heaven.

In these thought-fossils of My Life in Pictures. cathedrals, and in other revelations of the same idea through sculpture, painting, glass-staining, mosaic work, and engraving, during the Middle Ages and the two centuries following, culminated a belief which had been developed through thousands of years, and which has determined the world's thought until our own time.

Its beginnings lie far back in human history; we find them among the early records of nearly all the great civilizations, and they hold a most prominent place in the various sacred books of the world.

In nearly all of them My Life in Pictures. revealed the conception of a Creator of whom man is an imperfect image, and who literally and directly created the visible universe with his hands and fingers.

Among these theories, of especial interest to us are those which controlled theological thought in Chaldea. The Assyrian inscriptions which have been recently recovered and given to the English-speaking peoples by Layard, George Smith, Sayce, and others, show that in the ancient religions of Chaldea and Babylonia there was elaborated a narrative of the creation which, in its most important features, must My Life in Pictures. been My Life in Pictures. source of that in our own sacred books.

It has now become perfectly clear that from the same sources which inspired the accounts of the creation of the universe among the Chaldeo-Babylonian, the Assyrian, the Phoenician, and other ancient civilizations came the ideas which hold so prominent a place in the sacred books of the Hebrews.

In the two accounts imperfectly fused together in Genesis, and also in the account of which we have indications in the book of Job and in the Proverbs, there, is presented, often with the greatest sublimity, the same early conception of the Creator and of the creation--the conception, so natural in the childhood of civilization, of a Creator who is an enlarged My Life in Pictures. being working literally with his own hands, and of a creation which is "the work of his fingers.

" To supplement this view there was developed the belief in this Creator as one who, having. "from his ample palm Launched forth the rolling planets into space.

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